Terry and Arthur rescue a Greek-Cypriot called Charlie (Peter Bland) who was being attacked in the street by three men. They take him back to a restaurant, run by his cousin Christina (Diane Keen), who although initially unwelcoming later seeks Arthur’s help.
She tells him she’s being hounded by Omar (Godfrey James) – the brother of Christina’s late husband, who wants to take over the running of the restaurant. Arthur’s rather taken with Christina and agrees that Terry will keep an eye on the place. But things turn out to be slightly more complicated than they first appear …..
One notable thing about The Dessert Song is that all the actors playing Greeks – Diane Keen, Godfrey James, Peter Bland, Daniel Hill (as Johnny) and Michael Angelis (as Nick, the waiter) – are British. It was common enough during this era of British television, as the pool of ethnic actors was much smaller than today, but it is a little distracting.
Still, it’s always a pleasure to see Diane Keen (one of those actresses who was ever-present during the Seventies and Eighties) and it’s plain that Arthur’s equally taken with Christina. Just one episode after his misadventure with Sharon, he seems prepared to make a play for Christina’s affections. Although it’s probable that her restaurant is more appealing to him than she is!
Once Terry is installed as the restaurant’s minder, Arthur’s quick to take advantage – dropping in for a meal (on the house, of course) and delighting in ordering Terry about. Understandably, Terry doesn’t appreciate this, nor does he really like having to wear a shirt and tie.
Peter Bland is rather endearing as Charlie. He appears to be harmless, if a little eccentric, but things take a strange turn when he pulls a gun on Terry and Arthur. Luckily, no harm is done – he’s come to England to right an old family wrong and doesn’t mean them any harm – and Christina resolves to put him on the next plane back to Cyprus. But the conniving Johnny is easily able to manipulate him into attempting to kill Omar – which means that once again Terry has to wade in and save the day.
Terry and Arthur are slightly less prominent in this episode, although Terry has some decent fight scenes and even Arthur manages to be proactive (trapping Johnny in a telephone box). The banter between the pair of them (Terry ribbing Arthur about his interest in Christina, Arthur treating Terry like a waiter – clicking his fingers and asking for a menu!) is, as ever, top notch.
The first of twelve episodes written by Andrew Payne (including the feature-length Minder on the Orient Express from 1985) The Dessert Song might feel a little inconsequential (there’s no impressive bad guys – Omar’s quite a reasonable chap after all and Johnny’s obviously no match for Terry) but it’s still an entertaining fifty minutes.