Grange Hill. Series Eleven – Episode Seventeen

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Written by Barry Purchese. Tx 1st March 1988

It seems like an awfully long time ago when Robbie first started to make googly eyes at Calley. He’s only now just beginning to think about the possibility of maybe asking her out (you clearly don’t want to rush these things). Luckily, man of the world Gonch is on hand to give him a few sage dating tips (although considering Gonch’s stuttering relationship with Ronnie, surely no sensible person would listen to him).

Poor Robbie. After eventually plucking up the courage to speak to Calley, she blanks him and wanders off. We’ll find out the reason why later.

Ronnie’s back at school. She encounters Mr Bronson in the playground who – unexpectedly – welcomes her back. He does it in his own inimitable fashion of course (initially appearing to be somewhat stern) before telling her to keep her “chin up”. A nice little character moment.

Ronnie later has a meeting with Mrs McClusky. Like Mr Bronson, she’s in a supportive mood. It’s interesting to ponder whether everybody would have been quite so understanding had it been, say Tegs, caught shoplifting. Clearly not, as Ronnie’s previously unblemished character seems to count for a great deal.

Eventually Calley, Georgina and Helen decide to come clean and confess their own shoplifting sins to Mrs McClusky. Best to say she’s not terribly pleased. I think the look she gives them could probably be described as withering. It might have made the three girls feel a little better by admitting that they had a part to play in Ronnie’s lurch to the dark side, but it now places Mrs McClusky in a difficult position – should she report them to the police? And if she does, how can it be proved that they actually have been shoplifting?

Laura and her mother have another spat. Since series eleven is drawing to a close, we’re clearly coming towards the end of the Simon storyline. It’s been one of GH‘s more leisurely stories – we haven’t seen Simon since he tried to kiss Julia at the end of episode twelve (and although he’s mentioned here, he doesn’t appear). His final appearance will be in the next episode, hopefully after stringing us along for all this time it’ll be a conclusion worth waiting for.

Another episode, another money making scheme from Gonch. Babysitting. Hmm, what could possibly go wrong? First, they need to find girlfriends (or failing that, just business associates). Gonch leaves this in Ziggy’s capable hands. Oh no …..

Ziggy’s in a somewhat annoying mood today. He spends most of the episode operating at full tactless level (such as when he asks Freddie if he could chuck some of his castoff girlfriends his way, whilst Laura is in earshot). But it’s possible that he’s met his match after he runs into Karen (Barbara Sinclair). This isn’t comedy at its subtlest – Karen, due to her larger frame, might not be everybody’s ideal dream girl (she’s definitely not Ziggy’s – every time he sees her he dashes in the other direction).

No prizes for guessing that eventually, after all the other options have been exhausted, Ziggy will be forced to ask her to join him for babysitting duties. Despite Gonch’s claim that babysitting is money for old rope, Ziggy (who was clearly born under a bad sign) finds himself at the mercy of his childish charges. When he tells them that he’s not going to read them a story, the girl asks him if he’s dyslexic. “No I’m from Liverpool” he retorts. Well it amused me.

Ziggy’s increasing irritation as the children run rings around him (debating which video – Rocky 4 or Rambo – would be the best to watch and constantly asking if Karen’s his girlfriend) is easily the best part of the episode. Eventually he cracks and tells them that if they go upstairs he’ll read them a story. “You’d better come up or else” is the girl’s parting shot, leaving Ziggy to sorrowfully reflect that he’s been reduced to fending off threats from a seven year old!

And even when he’s dealt with them, there’s still the man-eating, food-loving Karen to deal with. Her intentions are plain from the moment she starts inching closer to him on the sofa. But when she flounces off after one insult too many, Ziggy’s left alone and grows increasingly frantic – until Gonch turns up. If the house was a studio set then it’s a rather impressive one – built on two levels with a practical staircase and rooms on the first floor.

Whilst Ziggy’s suffering attacks on several fronts, everybody else – Freddie, Laura, Gonch, Robbie, Ronnie, Louise and (rather improbably) Danny – are holding a council of war at the local burger bar. Robbie complains when he gets the wrong burger. It’s noticeable that John Alford’s performance has become much more aggressive during the last year or so (by this point in the series, Robbie often seems on the point of apoplexy at the most trivial of things).

The plan to get Grange Hill back into the district cup begins here ….

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Grange Hill. Series Eleven – Episode Sixteen

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Written by Barry Purchese. Tx 26th February 1988

Time has moved on since the events of the last episode. We never see Ronnie’s police interview or the reaction of her mother after she learns that her daughter has been arrested. Instead, the episode opens with Mrs Birtles and Ronnie both sitting in their living room – Ronnie is staring into space whilst Mrs Birtles is doing a spot of needlework (possibly it’s simply to take her mind off the horror of recent events).

Mrs Birtles isn’t positioned as a particularly strict or forbidding parent. Instead she regards her daughter more in sorrow than anger, an attitude which no doubt only helps to increase Ronnie’s sense of guilt and shame. Unlike Tegs, to whom criminality comes naturally, the Birtles are a nice, middle-class family who no doubt aren’t familiar with a scandal of this nature.

When Ronnie eventually does speak it’s in an unearthly monotone. Mrs Birtles appears to be more distraught than her daughter, fretting that Ronnie will have a black mark against her name for the rest of her life. And how will she get a job then? The contrast between the scenes here and Tegs’ free and easy attitude to the law is striking.

There’s also a fascinating moment of role reversal after Mrs Birtles breaks down in tears and Ronnie goes over to comfort her.

Calley is guilt striken to learn that she may have been responsible for Ronnie’s shoplifting misadventure. She’s keen to confess her own crimes, but Helen and Georgina would prefer to keep quiet ….

We haven’t seen Mrs Pearson for a while. She drops Matthew off at school and tells him that although things are difficult at the moment, they will get better. There’s an interesting story beat after she tells him that she’s sure he always has fun with his father on the weekends. The look on her face and her faint hesitancy implies that she knows all is far from well, but if that’s the case, why hasn’t she done anything about it?

Mr MacKenzie continues to be anxious about Matthew’s wellbeing, but his concern still hasn’t resulted in any positive action yet – although a meeting with the educational welfare officer has been arranged for the following week.

Justine’s hair is very red today. This is something which yet again catches Mrs McClusky’s eye, although it’s not too dramatic a change (had it been green, then fair enough). She continues to fret about the best way to help Tegs learn to read. Trisha schooled Simon in secret, but Justine doesn’t seem to have considered this – instead, she wants the school to help (not unreasonable).

Freddie and Laura begin their protest campaign against Mr Robson’s policy of non-competitive sports. The sit-down protest on the hockey field is chiefly memorable for the way it stuns the cheerful and relentlessly hearty games mistress. It doesn’t matter how many times she blows her whistle, they ‘ain’t shifting.

Finally the truth about Matthew’s abusive father comes to light. Mr MacKenzie, who had earlier expressed concern about the boy once again, is aware that during his craft lesson Matthew’s rather apathetic and listless. Given this though, it seems rather irresponsible for the teacher to let Matthew loose on a dangerous piece of equipment.

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Grange Hill. Series Eleven – Episode Fifteen

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Written by Barry Purchese. Tx 23rd February 1988

The kit-hire service may be dead and buried, but Ziggy and Robbie are never ones to rest on their laurels for too long. Their latest wheeze – security in the bike sheds – seems to be (at last) an easy and sure-fire money winner. Although you have to wonder why the children don’t have their own bike chains. But nothing’s ever straightforward as Mauler and his gang start to play with the bikes. So Robbie and Ziggy decide that, at long last, Mauler’s long overdue for a severe beating ….

Calley and Ronnie’s previously inseparable friendship continues to fracture. Calley has ben drawn towards Helen and Georgina (the bad girls) whilst Ronnie’s newfound interest in hip hop has seen her forge a new relationship with Fiona. Calley, Helen and Georgina ask Ronnie if she’d like to go “shopping” down the precinct (i.e. shoplifting) but it’s done in a slightly taunting and teasing way (no doubt they’re secure in the knowledge that the fundamentally decent Ronnie would never agree).

Ronnie’s miserable time continues after Gonch (her supposed boyfriend) and Fiona (her supposed friend) continue to make googly eyes at each other. But Gonch does have a decent suggestion as to how Ronnie could make a little money (to pay back her mother) – set up a stall in the precinct and sell some of her tapes. Interesting that Fiona keeps her eyes firmly on him during this scene, only looking at Ronnie after Gonch has finished speaking. Another sign of her infatuation?

The wave of thefts continue. A cabinet is shattered in the music room and all the recorders are stolen, leading to the cancellation of the Music Club. Crisis! Suspicion once again falls on Tegs, a boy with a bad reputation, but it seems too obvious that he’ll turn out to be the guilty one. If so, he’d surely have to leave the school – meaning that the time spent building up his character this year would have been wasted.

Speaking of characters, this episode is the first time that Liam (Steven Coe) emerges as a character, rather than just another face in the crowd. Given the small number of featured first-years, it’s not a bad idea to introduce some new blood – although it’s a pity that Coe’s delivery is rather wooden and lifeless.

Trevor may once have again lost his gang of hangers-on, but his taunting of Vince remains. Trev’s taken up weight-lifting (another of Mr Robson’s non-competitive sporting endeavours) and is doing pretty well. Poor Vince, continuing to follow him around like a puppy dog, would also like to have a go – but Trevor tell him that he’d never be able to life such weights, not in a million years. You probably don’t have to be a mind reader to work out what happens next – maximum humiliation for Vince …

Mr Griffiths is hot on the trail of the thieves – muttering darkly about “organised crime” to Mr Bronson. Their discussion takes place in the playground on a windy day – so was I the only one to marvel at the way that Mr Bronson’s wig stays firmly in place?

Tegs takes Justine round to his house (it’s best described as a tip). It’s rare that we ever see such a dishevelled house (even the more impoverished pupils, such as Benny, lived in fairly spick and span surroundings). Various sound effects – dogs barking, trains rumbling by – help to cement the sense of unease that’s palpable on Justine’s face.

Tegs finally admits to Justine that he can’t read. This is a plotline that’s been done before (Simon Shaw in S2) although Tegs has never seemed to have trouble in any of his lessons. This is a bit of a mystery – surely English and various other lessons would have been a little tricky for him? It might have been a decent storyline to develop – as it is, it’s only an incidental detail.

Ziggy’s rounded up a considerable posse to deal with Mauler. At the same time, Mr Griffiths is organising his troops with military precision (he’s still on the lookout for the thieves). This is rather wonderful – Mr Griffiths’ “troops” number precisely three – they look like a deputy caretaker, a general handyman and a cleaning woman. All three nod in silent assent as Mr Griffiths – swagger stick substitute in hand – details his plan to stake out the bike sheds. The arrival of Mr Bronson, who continues to regard Mr Griffith’s obsessions with an amused and jaundiced eye, is the icing on the cake.

An rare use of incidental music (rather High Noon-ish) is employed as Mauler and his gang prepare to face down Robbie, Ziggy and the others. The posturing of Mauler and Ziggy is a little tiresome, but the sight of Mr Bronson and Mr Griffiths – waiting like coiled springs and eager to pounce – amuses.

It’s a shame that the low-interest plotline of Mauler’s upcoming comeuppance is intercut with the more absorbing scenes of Ronnie’s fall from grace. Finally seduced by the trio of bad girls – Calley, Helen, Georgina – who tell her that shoplifting is an easy way to make money, she decides to give it a go. With disastrous consequences. All the warning signs are there (literally, as she passes a notice which states that “this store prosecutes shoplifters”) but she ignores them. So the outcome – Ronnie is apprehended by the manager after attempting to steal some clothes – is completely predictable. The sight of a tearful Ronnie being escorted out of the shop by two police officers whilst a group of onlookers (extras or simply members of the public?) is a powerful one though.

As is her arrival at the police station, where she ends up alone in an interview room. It seems more than a little unusual that a minor would be left unattended, but in dramatic terms it’s not a bad move since it allows her a moment of quiet reflection. As the camera closes in, the tears start to flow ….

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Grange Hill. Series Eleven – Episode Fourteen

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Written by Barry Purchese. Tx 19th February 1988

Justine’s gained a couple of giggly friends, who help to arrange her hair in a kaleidoscope of colours (thanks to the judicious application of ribbons). Fair to say that the new crop of first years (despite only numbering six main speaking roles) are a fairly dysfunctional bunch – Justine’s a fashion rebel, Matthew’s cursed with the home life from hell and Tegs is an unrependant criminal. Throw in the slightly flaky Susi and Chrissy and it seems as if Clarke’s the only straightforward one amongst them (which possibly explains why he doesn’t last too long – nobody likes a normal person).

The only thing worse than Mr Bronson on the warpath is a jolly Mr Bronson. So the sight of an effusive Mr Bronson, humming a merry tune, is probably the last thing Matthew wants to see at this precise point – but see it he does. “Your face is a mask of tragedy” he helpfully tells the boy, which is just the sort of thing to raise his self esteem ….

Freddie continues to chunter about Mr Robson’s training methods whilst Susi keels over in a spectacular fashion after Mrs Reagan tells her to get changed for games. Justine’s unconventional hair results in a trip to Mrs McClusky’s office. Finally, Mrs McClusky is given a little something to do, expressing weary exasperation as to why Justine – not a normally disruptive girl – indulges in these feats of exhibitionism. I also like her outburst, after Justine suddenly decides to unpick her creation there and then. “Not here! This is my office, not a hairdressing salon, you’ll do it at home”.

Mr Robson drops a bombshell – he wants to withdraw Grange Hill from the District Cup – an act which is sure to irriate Freddie all the more. For a new character, Mr Robson’s had a decent crack of the whip so far this year. These early episodes of his are also a reminder of the more radical and aggressive teacher he used to be, before the pressures of command took precedence.

Mr Griffiths, like Mrs McClusky, has been a little underused of late. But his reminisces of his own school days, to a clearly uninterested Tegs and Justine, helps to redress the balance a little. “You had to roll down a sock, because you see in those days it wasn’t everybody who wore long trousers. And it wasn’t everybody who had socks either. That was it. You had to roll down your left sock, right down to the ankle, and that was a sign”. Wonderfully, they simply carry on their interrupted conversation after Mr Griffiths wanders away.

Tegs invites Justine to tea round his Aunties. It quickly becomes clear to the audience that he’s lying – it’s just a random house that he’s decided to burgle. Again, Justine is shown to be rather slow on the uptake – even after Tegs’ shifty explanations (he tells her that his Aunty has popped out but left the back door on the latch) she doesn’t twig. It’s only when Tegs’ “Aunty” comes down the path that the penny finally drops. A smashed back window serves as the final confirmation of his crime.

Some of the long-running plotlines remain in stasis – namely Matthew’s abusive homelife and Laura’s dilemma over her mother’s lecherous boyfriend. Elsewhere, there’s an interesting two-handed scene between Chrissy and Susi where they discuss training bras and periods. Period pains are something that the series has briefly touched upon in the past, but not quite as bluntly as we see here.

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Grange Hill. Series Eleven – Episode Thirteen

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Written by Kay Trainer. Tx 16th February 1988

Ronnie isn’t one of life’s natural conspirators. This is made plain after she discovers her mother anxiously looking for something. The money which Ronnie pilfered? No, a nearly overdue library book. Crisis past for now, although Ronnie’s still giving off anxiety and guilt in waves ….

Her isolation is restated minutes later, after she’s cast in the role of a silent observer – watching Gonch and Fiona walking by, gently flirting. It seems a little strange that Gonch – who’s barely exchanged a handful of words with Fiona all year – would decide to chat her up, but it serves the purpose of darkening Ronnie’s mood just a little more.

She explains her dilemma to Calley, who’s sympathetic, but unable to offer any practical advice. Calley’s got her own problems to contend with – the revelation that she’ll need to wear a brace depresses her enormously.

I’m delighted to hear that the strip hire business has been wound up. Hurrah! Another entrepunerial sideline is launched after Chrissy and Susi decide to sell badges with real fruit on them. Yes, really. This odd minor plotline does through up a few nice character moments with the teachers – Mr Bronson is less than sympathetic to hear of their debate as to whether the olive is a fruit or not (although he later pops into the library to secretly look it up!) and kindly Mr MacKenzie (now fully recovered from his hissy fit a while back) is gently amused when Susi declares that they should make him a badge with a leek on it. He suggests that a thistle might be more apt ….

Once again we see Matthew running like a hare from his father’s car. Despite this, he’s late to Mr MacKenzie’s registration (not entirely sure why as it’s not made clear what he’s been doing). Mr MacKenzie casts a slightly concerned glance his way whilst later, Miss Booth also picks up that things aren’t quite right. Although he’s been acting in an off-key manner for a while, it doesn’t seem to be something which the staff have picked up on until this point and it has to be said that they’re rather slow in doing anything about it.

The slow torture of Matthew’s life continues after we see him, extremely unwillingly, undress for gym. Several vicious looking welts on his back tell their own story (one which probably wouldn’t have come as a surprise to many, since it seemed a while back that the story was heading in this direction). Later we see him unable to get into his house (his father is out a meeting and he tells Clarke that he’s lost his key). As so often with Matthew, it’s possible that he’s not telling the whole truth. Has his father has denied him a key? The meeting part of the story might also not be true, unless the meeting was an alcoholic one ….

A staffroom scene allows us to take a look at some of the posters on the wall. Fair Pay for Teachers is an obvious one (remember this was the 1980’s, when teacher’s strikes were very common) but it’s slightly more eye-opening to see a CND poster. It’s not commented upon, but again it helps to anchor the series very firmly in a specific period.
Mrs McClusky hasn’t really featured for a while. She briefly pops her head round the staffroom door – only to have her ear bent by Mr Bronson – but just as quickly disappears. It’s a shame that Gwyneth Powell has been rather underused this year – there would have been plenty of dramatic mileage in setting Mrs McClusky and Mr Bronson at loggerheads over the best way to run the school (although maybe it was felt that this plotline was exhausted last year).

Helen’s tattoo woes continue. Now that her mother’s found out, it simply makes her all the more anxious to get rid of it (but using a scrubbing brush isn’t going to do the trick). She cuts a teary and forlorn figure, but luckily Miss Booth’s on hand to offer some common sense advice. It’s rare to see Helen quite so exposed – her normal image is strong and assured – but the tattoo seems to have stripped away her normal acerbic defences, leaving her vulnerable and childlike.

If Matthew’s storyline has suddenly picked up some traction, then so has the question of Simon. Louise spills the beans to Laura about Simon’s mauling of Julia, which leaves her with a dilemma. Should she tell her mother, and even if she did, would she be believed?gh s11e13-02

Ghost in the Water – Simply Media DVD Review

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Tess (Judith Allchurch) and David (Ian Stevens) are set a school project which involves researching the history of Abigail Parkes. Abigail died in the mid nineteenth century, aged just eighteen, and her gravestone (inscribed “Innocent Of All Harm”) intrigues the pair of them. Tess’ interest in Abigail deepens as the story wears on – especially since Abigail seems to be calling from the grave for redemption ….

Broadcast on the 31st of December 1982, this works almost as a junior Ghost Story For Christmas (a popular BBC strand of ghostly tales which had run during the seventies). Not that Ghost in the Water is at all juvenile in tone – it may have been broadcast at twenty to five, but it could have easily have run in peak time.

Shot on 16mm film, it’s moodily directed by Renny Rye. Rye had cut his directing teeth on Rentaghost a few years earlier and would go on to helm The Box of Delights in 1984. It’s easy to see why film was chosen – as it offers a range of visual options (such as rapid intercutting) that wouldn’t have been so effective on videotape.

With a running time of only fifty minutes, Ghost on the Water has to hit the ground running, which explains why the opening scene (Tess and David lurking about the graveyard looking for Abigail’s tombstone) is intercut with flashbacks of the classroom discussion which sparked their investigation. Quite why Tess and David have to visit the graveyard late at night (and when it’s raining) isn’t made clear, but it helps to make the scene much more atmospheric ….

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A clever cut occurs after this scene, as we move to a spooky sepia shot of a horse and carriage careering down the path of a graveyard. It seems so in tone with the atmosphere already established that it comes as a shock to realise that Tess is now at home and watching an old horror movie on television! This movie might explain the strange dream she later had, but when the flashbacks become more and more regular (she seems to be present at the point when Abigail’s coffin is being laid to rest, for example) it’s plain that something very strange is occurring.

Although the cast was bolstered by some familiar senior actors (Paul Copley, Jane Freeman, Hilary Mason, Ysanne Churchman) the two main roles – Tess and David – were taken by novices. This presumably was an intentional move – it certainly helps to position them as real people (both Allchurch and Stevens are more naturalistic and unpolished than experienced stage-school trained actors would have been). Neither seem to have pursued acting careers afterwards, which makes their performances here especially interesting.

Allchurch has to carry most of the narrative. Her lack of acting experience is never a factor though, as – helped by Rye’s skilful shot choices – she’s allowed plenty of memorable moments. A few are a little eye opening though, considering this was broadcast so early in the day. The scene where Tess – lying in the bath – decides to re-enact the moment when Abigail drowned (by slowly submerging herself in her bathwater) is a disturbing one. And the follow-on to this scene – we see a back-view of a naked Tess standing up in the bath (albeit framed in such a way that her modesty is preserved) – isn’t one you’d imagine would be repeated today.

Although as touched upon, Tess and David are placed front and centre, there are good performances all the way down the cast list. Lynda Higginson (who like the principals was a novice actor) catches the eye as Tracy, a classmate of both Tess and David. She delights in teasing them about the considerable amount of time they’re spending in each other’s company.

Simply’s release looks to be a straight transfer of the 16mm master. There’s the usual intermittent signs of damage and dirt which you’d expect with material of this vintage, but overall it’s a pleasing viewing experience (the colours are quite bright and vibrant). With a running time of only fifty minutes, a little extra value is provided by a brief Blue Peter clip (a shame that it only runs for three minutes though).

Ghost in the Water may be short, but it’s always nice to see one-off plays like this exhumed from the archives. An intriguing mystery which drips with atmosphere, it’s plain to see why it made a lasting impression on so many at the time.

Ghost in the Water is released today with an RRP of £14.99 and can be ordered directly from Simply here.

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Grange Hill. Series Eleven – Episode Twelve

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Written by David Angus. Tx 12th February 1988

If Ronnie’s had a defining character trait since she first appeared back in 1985 then it probably would be her honesty. So the opening of this episode – she steals a ten pound note from behind her mother’s back – is the first sign that something’s awry with her. But no doubt she considers it was only “borrowed” and also in a good cause (expenses for the hip-hop competition).

What happens next is especially interesting. Ronnie, out in the local shopping precient, spies Calley, Helen and Georgina indulging in a little light shoplifting (lipsticks). Clearly blocking out her own pilfering, Ronnie is her usual moral self – she doesn’t directly accuse them, but it’s pretty obvious that everyone registers her disgust. How long have the others been shoplifting? It’s obviously not the first time. Calley must have become pally with the others offscreen as there’s not been a great deal of interaction between the three during the episodes to date. Whilst this seems to be just an incidental story detail, we’ll shortly see how it serves as the catalyst for Ronnie’s downfall.

Gonch, Robbie and Ziggy are back down the launderette. They seem to spend more time there than they do at school ….

Ziggy, attempting to get a free drink from the launderette drinks machine, gets squirted with boiling coffee for his pains. There are several points of interest here – not only is the drinks machine absolutely massive but the gleeful cackling from the old lady (played by Ruby Buchanan) after Ziggy gets splattered is very memorable. Subtle acting it isn’t. Ziggy then strips down to his boxer shorts, paying homage to a well known advert of the time.

Tensions at Chez Reagan remain high. Laura’s not exactly looking forward to an upcoming dinner party organised by her mother – as the loathsome Simon will be there – but the reappeance of a tanned Julia helps to cushion the blow somewhat.

Ronnie’s asked Gonch to arrange transport for the sound system, which will manipulated by Fiona’s cousin, the ebullient Wesley (Alan Cooke). This he does, although it probably wasn’t what they were expecting – a rag and bone man’s horse and cart! Were there still horses and carts on the streets of London during the late eighties? Slightly hard to believe, but it’s possible I guess.

Mrs Reagan’s party is in full swing and Simon makes an immediate beeline for Julia. He’s smoothness personified – expressing surprise that she’s not a teacher but is actually Laura’s former best friend.

The hip hop party is also swinging, albeit just a little bit louder. It’s probably not coincidental that the episode switches between the two – especially since we hear one of Mrs Reagan’s guests querying “what’s hip hop?” in their best high court judge’s voice. Luckily Simon’s on hand to explain to a bow-tied older gentleman that the Beastie Boys are hip hop people, sort of (everybody seems to have heard of them). Mrs Reagan wears an expression of delight as her beau once again demonstrates his knowledge of just about everything.

Later there’s some smoochy dancing in the (fairly small) living room. Spandau Ballet’s True (something of a golden oldie at this point) is their song of choice. We then jump back to the hip hop competition, where Fresh ‘n’ Fly finally have their chance to compete. They’re …. okay, but obviously not the best. Mind you, their weedy sound system might have had something to do with this.

Fresh ‘n’ Fly don’t win the competition, so there’s no prize money for them. How will Ronnie replace the ten pounds she pilfered from her mother?

And then we’re back again to the dinner party, where Simon’s decided that he’d rather like to kiss Julia (he corners her in the kitchen when no-one else is about). This is a final confirmation that he’s a rotter (to be honest, it would have been more of a shock had he turned out to be a decent chap after all). And then Julia disappears. This was her sole S11 appearance (and her final GH credit too) so clearly she featured here just to perform a single function – the reveal (to only the audience at this point) that Simon’s nothing more than a slippery snake.

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