Fay and Ridge are at Beresfords, a major pharmaceutical company. Beresfords have been been developing a powerful new antibiotic, K27, which Doomwatch have been closely monitoring – due to concerns over possible side-effects.
But since all the potential problems now seem to have been ironed out there seems no reason why K27 shouldn’t go into production. However the next day, Beresfords’ managing director, Priestland (Noel Johnson), discovers that the formula has been stolen.
Although Ridge briefly becomes a suspect, he’s intrigued that a party of boys from a nearby private school called Elsedene were at Beresfords on the day of the robbery. He and Geoff visit the school and Ridge is perturbed to see how dominant both computers and logical teaching methods are. Could this be a breeding ground for emotionless, logical criminals?
Based on a story outline by Kit Pedler, it explored themes that he’d already developed in several Doctor Who stories, notably The Tomb of the Cybermen and The Wheel in Space. Tomb introduced us to Klieg and Kaftan, members of the Brotherhood of Logicians. Pure logic was clearly something that perturbed Pedler – as it allowed Kleig to ally himself with the Cybermen with no thoughts given as to the consequences of his actions. The Wheel in Space has even closer links to The Logicians, thanks to the appearance of Zoe. Zoe, like the boys in this story, is a product of computer teaching and is shown to be emotionally deficient (“all brain and no heart”).
The scenes in the school, with the boys working at computer terminals, is clearly meant to be disturbing – although to a modern audience it probably seems perfectly normal. Geoff isn’t happy with what he finds. “It looked more like a space shell than a classroom to me. All the kids in headphones, wired up to a computer being fed questions and feeding back answers.” This would have been a science fiction concept in 1971, but in 2016 it’s nothing out of the ordinary.
Quist approves of logical teaching for the young. “Youth without an adult’s emotional stresses can absorb an enormous amount of this symbolic training. The ability to think straight, a cool appraisal of any situation, uncluttered by emotion or bias, that’s what the modern world needs today.” But there are inherit dangers to this type of schooling. Ridge tells Quist that the boys appeared to be display a type of mental arrogance (likening them to the Hitler Youth).
One slight flaw with the story is the notion that the boys are potentially dangerous because they’ve been computer taught – i.e. without the input of human teachers. But when Ridge and Geoff observe them, the class is clearly being run by a teacher and the computers are only used as a aid to the lesson, they aren’t in control. Elsedene is also the sort of public school where the only type of discipline is self-discipline, so even had the pupils not had access to these type of logical computer lessons they still might have developed along similar lines.
Although they’re criminals, it’s later revealed that the boys only stole the formula in order to extort a ransom (£25,000) from Beresfords so they could anonymously donate the money to Elsedene (which has been suffering from extreme financial difficulties). But the unanswered question is what will happen when they leave school? Will logic once again triumph over universally held notions of right and wrong?
Although the idea of a school dominated by computers may carry little resonance in the twenty first century (it’s a fact of life today) there’s plenty to enjoy in Dennis Spooner’s script. Spooner was always the sort of writer who liked to inject humour whenever he could and this is reflected here.
Ridge is the recipient of many of Spooner’s funniest lines and Simon Oates delivers them perfectly. Ridge and Geoff have some nice bantering scenes – Ridge turning his nose up at Geoff’s new coat and Geoff being theatrically disappointed at being forgotten when Ridge lists all the other members of the Doomwatch team. Ridge is also on hand to pour cold water on Priestland’s gallant attempts to chat up Fay and he’s also entertaining when tangling with the police. When Ridge later makes a clandestine call to the Doomwatch office from Elsedene and calls Fay “mother” you know that Spooner is enjoying himself!
Noel Johnson (Radio’s original Dick Barton) is suitably solid and dignified as Priestland, he’s a major plus point throughout the story. Amongst the schoolboys is a young Peter Duncan, who’d turn up later in the Terence Dudley produced Survivors, as would Michael Gover (here playing Priesland’s number two, Kelsey).
If The Logicians is another Doomwatch story which feels a little underdeveloped (is there enough evidence to suggest that computer and logical teaching alone is responsible for turning the boys into criminals, or would that have happened anyway in the rarefied atmosphere of an unsupervised public school?) Dennis Spooner’s script clips along at a decent enough pace to cover any lapses in, well, logic.