Weapon gives us our first opportunity to see Travis Mk 2 (Brian Croucher) in action. And he’s angry, very very angry.
One of the main character flaws with Travis is that he exists for one purpose only – to kill Blake. And when, week after week, this doesn’t happen he can’t help but become something of a figure of fun (or contempt). But it’s not only Blake and his friends who hold him in contempt, in this episode it’s clear that Servalan loathes him as well.
As we go through series two there will be the odd highlight (Trial) as well as plenty of lowlights (Voice from the Past is easily the most bonkers use of him). Given that he became something of a marginalised character almost immediately, it’s no surprise that Stephen Greif decided to bail after series one. This leaves Brian Croucher with an almost impossible task.
Croucher has made no secret of the fact that his time on Blakes 7 wasn’t terribly happy – he’s singled out director George Spenton-Foster as someone he had serious problems with. And since Spenton-Foster directed this episode it looks obvious that the problems start here.
From the first scene Travis is struggling with barely suppressed rage. It’s a totally different acting choice from Greif, who had much more of an ironic detachment, and it doesn’t really work (it’s easy to imagine Greif saying the same lines, but in a very restrained way). If Spenton-Foster wasn’t giving Croucher adequate direction then it’s probable that he just went his own way – resulting in a performance where Travis is little more than a thug. He’ll tone things down as we move through the series, but it’s not an auspicious start.
His first scene is quite arresting though – as he kills Blake! Or at least, someone who looks remarkably like him (is this a nod to the pre-credits sequence of From Russia with Love?). Travis has, of course, just killed a clone of Blake – but one that’s identical to his arch-enemy in every physical way.
Clonemaster Fen (Kathleen Byron) is clearly a being of awesome power – we can tell this because Dudley Simpson goes overboard on the organ and there’s a great deal of dry ice floating about. I do always worry when she’s walking rather gingerly down the stairs though, one false move and she could have had a nasty accident.
In Project Avalon we saw it was possible to create a perfect android replica of someone (something that’s never done again after that episode). In Weapon we see that it’s possible to create a perfect clone of someone (something that’s never done again after this episode). I sense a pattern emerging here. Given how incredibly useful both android duplicates and clones could be, it’s remarkable that once they’ve served their purpose in their respective stories they never crop up again.
Although the Blake clone will be an important figure in a great deal of post Blake fan fiction ……
I like the idea that Servalan commissions two clones of Blake, since she knows that Travis will be unable to resist killing one of them. Their dialogue after this happens is instructive and it clearly indicates the current stage of their relationship (not good).
SERVALAN: Travis, you are pathetic.
TRAVIS: If you say so.
SERVALAN: Of all the cripple-brained idiots.
TRAVIS: Me – or you?
SERVALAN:What did you say?
TRAVIS: You’re angry, Supreme Commander. Surprised by what I did. You devious – you always have been devious. You knew what would happen.
SERVALAN: Take your hand off me.
TRAVIS: You knew if it was Blake I’d kill him. I’d have to kill him.
The clone of Blake is part of a highly complicated plan by Carnell (Scott Fredericks). Carnell is a psychostrategist (who are unflatteringly nicknamed “puppeteers”) and Servalan appears to have commissioned him to kill two birds with one stone. Eliminate Blake and his crew as well as acquire IMIPAK (a deadly new weapon).
If you’re not particularly aware of Blakes 7 fan-fiction and spin-off fiction then it might come as a surprise than Carnell (a one-shot character) has had quite an extensive after-life – appearing in numerous fan-fiction stories as well as novels and audios by Chris Boucher (superior fan-fiction you might say). Most of his appeal has to be down to Scott Fredericks’ twinkling performance – his sparring with Jacqueline Pearce is a highlight of the episode.
The main guest star is John Bennett. He plays Coser, the inventor of IMIPAK, who’s been manipulated by Carnell to not only have a nervous breakdown but to escape from the Federation’s weapons development faacility with IMIPAK. Servalan then plans to use the clone of Blake to retrieve this from Coser.
The most obvious question is why go to all that trouble to create a clone of Blake when it doesn’t actually do anything? Servalan could have simply turned up herself and taken IMIPAK (which is basically what happens – Coser gives it to clone Blake and he hands it over to her).
I always had a lot of respect for John Bennett, he was an actor who enlivened many a dull programme. But he’s got his work cut out here as Coser is such an unlikable sort right from the start – he’s a terrible bully to the lovely Rashel (Candace Glendenning). And once you see what he’s wearing it’s even harder to take him seriously …..
An odd story then and somewhat illogical. Some of the banter between the Liberator crew does go some way to salvaging things and Jenna and Cally look rather fetching in their blue and red outfits so there is some small recompense.